BBC and Commercial Radio sector announce new Digital Britain partnership at Media Guardian’s Radio Reborn conference

28 04 2009

 

radioreborn-largeMedia Guardian’s Radio Reborn conference truly signified a new era for the Radio Industry. The big news of the conference, which took place at the CBI Conference Centre yesterday, was the joint announcement between the BBC and the commercial radio sector that they are to form a new partnership initiative designed to place radio at the heart of Digital Britain and secure its digital future.

 

The initiative intends to establish The Radio Council, which will lead to a range of partnership initiatives between the BBC and the three largest commercial groups, Global Radio, Bauer Media and GMG, as well as the RadioCentre to represent the rest of the commercial sector, bringing the industry together to secure radio’s future in the digital age.

Under the plans, users can expect to see a universal radio player similar to that of the BBC iPlayer encompassing all the leading commercial and BBC stations across the UK.

Whilst the announcement was well received, details are rather limited. That said the news that the key players within the industry are working together, whilst still competing individually for listeners, means that the long term future of securing a strong and universal platform for all radio content is secured. 

The move to digital is already well underway for television. The same is needed for radio if it is to continue and maintain its reach onto new platforms as analogue switch off approaches. 

However, whilst these proposals are a step in the right direction, support and understanding of DAB is crucial. It was therefore pleasing to see that the conference spent a large part of the day tackling these issues and discussing the importance of securing a migration date to digital switchover similar to that set for TV, 2012.

Global Radio chief executive Stephen Miron led the calls stating that the government needed to focus its minds on a set date. Miron’s claims are notably significant for they herald the first time a commercial player has spoken so favourably of DAB, after years of lukewarm support. 

He told delegates: ”We back digital, and we back the strategy but we cannot afford to get this wrong. The next draft [of Digital Britain] needs to be bolder. Digital Britain has made us focus our minds. Now the government must focus theirs,” he said.

“We have embarked on a clear path to digital – to DAB – and we need to make serious progress and do it quickly. This means naming a date for migration, with a transparent set of criteria for all the relevant parties to meet. Whatever the date, and we personally believe the earlier the better, a firm date needs to be set.”

Although these plans are all still in the preliminary stages the sheer optimism and presence of new blood like Tim Davie, BBC director of audio & music and Global Radio’s chief executive Stephen Miron recently parachuted in from Associated Newspapers, in the industry, suggests the future looks very prosperous for the radio industry.

Miron made a rallying cry to the industry demanding that success and growth lied in positivity and a belief in the medium. He said: Commercial radio does “not believe in itself nearly enough”, adding that it and was too insular, too navel-gazing and not ambitious enough – and that needs to change and will change as we move towards Digital Britain. 

The Digital Britain report will be published in the coming months.





Britain’s Got Talent star Susan Boyle is a You Tube hit with over 100m views

25 04 2009

 

Susan Boyle impresses audiences at the Britain's Got Talent auditions

 

Susan Boyle impresses audiences at the Britain's Got Talent auditions

 

Susan Boyle became a household name after appearing on ITV’s Britain’s Got Talent. Now her rendition of “I Dreamed a Dream” from “Les Miserables,” has now been viewed by over 100 million people on You Tube making her more popular than US President Barack Obama. 

Her success clearly highlights the power of the relationship between television and the web. TV gave Susan Boyle a platform, the web made her an international star. Increasing web awareness then subsequently drives up TV audiences.

The web traffic which has driven Boyle’s international profile has done wonders for ITV. Britain’s Got Talent is regularly pulling in 12 million viewers each week,  its highest ever audience, as viewers tune in see to the likes of Susan Boyle audition for the chance to perform in front of the Queen at the Royal Variety Performance. 

 

It this relationship, between the internet and television, which is crucial to securing the future of television as advertising revenue, continues to fall. It is clear that harnessing the potential in mass multi-platform cross-overs have the potential to bring significant rewards for all the members at the Britain’s Got Talent table. However, whilst the Susan Boyle phenomenon highlights a number of new ways to generate revenue and expand big power brands in other markets around the world, the speed with which Susan Boyle became such a big star raises some issues.

Sourcing and capitalising on these elements early is crucial. The failure to get advertising into the clips of Susan Boyle which have been watched by over 100 million people around the world was a big mistake which has cost ITV millions. If ITV is going to cash in on its products, then it needs to find ways to align with video websites like YouTube, to find ways that both sites can benefit financially. ITV.com is not a stronger enough brand from which to build this multi-platform content. Whilst it works for the BBC with likes of Dragons’ Den Online, ITV needs to realise the greater marketability of its content. Shows like Britain’s Got Talent are no longer solely dependent on ratings, whilst they are important, in the growing multimedia age and the world of Web 2.0, the sooner ITV acts on this the better. Otherwise they will fail to bring in much needed revenue from the next Susan Boyle. 





Easter TV Analysis

15 04 2009

Red Dwarf was a smash hit for Dave

Digital TV channel Dave recorded its highest ever audience figures over the weekend with its 3 part micro series revival of Red Dwarf but other television highlights were rather no existent. 

The half hour show which saw the crew transported back to present-day Earth to plead with their creator to write more episodes pulled in 2.1m (10%) on Dave with a further 341, 000 viewing an hour later on time-shift service Dave Ja Vu. 

The subsequent episodes in the new mini series drew 937,000 viewers between 9pm and 9.35pm, with a further 303,000 on Dave Ja Vu on Saturday. The final edition attracted 1 million viewers and a 4.6% multichannel share between 9pm and 9.30pm, with a further 244,000 on the time-shift channel on Sunday.

However despite the shows success, which completely dwarfed the channel’s slot average so far this year of 236,000 (1.1%) for all of 2008, it averaged 266,000 (1.4%), there was little else to excite viewers over the poor weather. 

BBC and ITV both failed to offer a schedule anywhere close to outshining Christmas last year, opting instead for ordinary programming which saw Britain’s Got Talent return for a third outing and Hell’s Kitchen a fourth. Whilst both delivered strong audiences for ITV1, 10.4m for Britain’s Got Talent and 5m for Hell’s Kitchen, it would have been far more enjoyable to have had more special one off programming and blockbuster films (which haven’t already aired at least 10 times on numerous occasions before). There are only so many times you can sit through Chicken Run (Easter Saturday BBC1) and don’t even get me started on the dreadful King Arthur (Easter Monday BBC1). 

The only sign of effort came in the form of the first of David Tennant’s four farewell episodes. ‘Planet of the Dead’ which also starred Michelle Ryan of Eastenders and Bionic Woman fame was good family entertainment but failed to reach the same heights as the return of the embarrassing Britain’s Got Talent managing only 8.41m viewers.

Whilst overall it was a relatively strong weekend for TV viewing. It seems that in the midst of the credit-crunch, controllers are merely playing it safe, rather than investing in quality programming. Surely the viewing public deserved more than just wall-to-wall repeats and reality shows.

As Broadcast reported last week TV viewing is down year on year. During the first three months of the year, the average person watched 224 minutes of TV per day, compared with 229 minutes for the same three-month period last year. Uplifting shows like Britain’s Got Talent may fill up large parts of the schedule but if audiences are to rise (and ultimately advertising revenue which helps fun quality programming) controllers are going to have to get more creative. There are only so many times that you can throw out long running formats, take Big Brother which is due to end this summer after a 10 year run and dwindling ratings, whether they rate high or not. They are one genre of programming, they don’t appeal to everyone, more diversity and originality is imperative to engaging with ones audience and beating the competition.





Wired magazine launches in the UK – But is it really plugged in?

8 04 2009

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The eagerly anticipated re-launch (a previous attempt failed fourteen years ago) of Wired, the magazine about what’s next, hit UK stores last week, but was some what of a disappointment.

Whilst launching a new magazine in an economic downturn, particularly one which failed to capture the interest of UK readers first time around, is some what questionable, Wired’s biggest problem is that it doesn’t feel that new or innovative.

Although there are some interesting articles like: ‘How the iPlayer saved the BBC’ and ‘Your life is a number’ a large majority of the magazine is pictorial. The magazine is full of sexy shots of new technology, including 3 double page spreads of circuit boards and wiring and 10 pages of speakers and other musical equipment, with very little copy to support it. This unfortunately just comes across as porn for geeks rather than supporting the magazine’s strap-line – ‘the future as it happens’.

In many ways this is the root of Wired’s problem. It doesn’t appear to be practicing what it is preaching, or at the very least, not in the way the reader expects. A magazine is hardly the format for getting up to speed with the latest developments in technology and innovative engineering. Monthly magazines prepare content months in advance, so if Wired’s statement is that it delivers – ‘the future as it happens’ – it’s arguments and stories can hardly be as groundbreaking as they claim, if they are only confined to a monthly publication rather than a constantly updated website, fully rooted in Web 2.0.

New Editor David Rowan told  The Guardian “There are quite a lot of magazines in Britain doing products, with girls in bikinis with iPhones. That wasn’t us.” He added that what Wired UK aims to do “is not fluff or bullshit: its data”. That may be so but the result is a large number of pieces which fail to capitalise on their content, most notably an interview with Twitter CEO Evan Williams.

Despite all this though, Wired does show potential. Its website has a number of original stories uploaded daily and the concept of informing the masses about the changing nature of the web and technology has a lot of scope. However its focus and the way in which this data is packaged needs addressing. In basic terms the magazine tries to hard to cram in to much at the expense of detail. Whilst graphically stunning throughout, it is this which distracts and confuses the reader. For Wired to work it needs to simplify its message and design and focus more on copy, so that reader doesn’t feel robbed or left out of the loop, which Wired is clearly trying to bring the reader into.

In conclusion, whilst the model appears to work in the US, since launching in 1993, it would seem that Wired would have benefited from taking the Maxim approach, investing solely in its online counterpart.





Reporting the G20 Protests in Central London – the benefits of using Web 2.0

7 04 2009

For an aspiring journalist last week’s G20 protests outside the Bank of England highlighted the benefits of Web 2.0 for the reporter superbly.

Social Media came into its own throughout the entirety of the protest. The Guardian, The Times and the BBC all had reporters posting on Twitter and other mediums.

Not wanting to miss out on the opportunity, equipped with my Nokia N95 I headed down to capture the action. Once I arrived I instantly found myself catapulted into a crowd swarming with journalists armed with recording devices, cameras and mobile phones. It was astonishing to see such an army of people all trying to capture the moment with portable devices, whilst camera crews struggled to gain a prominent position amongst the restless crowds.

Deciding not to cross the police barrier, I positioned myself right behind the police line adjacent to Royal Bank of Scotland. Managing to secure a prime view of the action I set about capturing video and pictures whilst posting updates to my Twitter account. However it wasn’t long before these tools came into their own, as the crowds grew hostile and violence set in.

G20 Protests get Hostile

Having joined Qik, moments before departing City University I began streaming video of the action for my fellow course mates immediately. My efforts quickly attracted viewers, with many more viewing the footage since. Videos of the days action are available here. I was amazed how easy it was to generate original content from the ground, which I was able to post direct to my blog.

Having the power to produce instant content like this is invaluable. The more people that produce content the bigger the picture the audience gets of what is happening. The only trouble then is keeping up with the updates and highlighting what is legitimate.

As the day unfolded it became clear how powerful the role of citizen journalism is, and how crucial tools like Twitter are becoming in reporting events live from the ground. In many ways this was the first real test for Twitter. Visitors to The Guardian, The Times and the BBC websites where all exposed to rolling coverage from the likes of Paul Lewis who were posting live up to the minute information from the Square Mile. It was certainly the first time the site has been used at such length to describe the events of a major news event.

As newspaper ABC’s continue to fall, the Web 2.0 model online is becoming much more appealing. Whilst every media outlet in the UK descended on the Square Mile that afternoon to report on the violence and the attacks on Royal Bank of Scotland the fact that I was also posting pictures to Twit Pic direct from my phone via text and sending updates direct to my Twitter followers, highlights the necessity of news organisations and journalists to find the best ways of packaging and distributing this date to the public. Content in this form is not unique, it is expected, but it is how this presented to the reader which attracts attention. My attempts where relatively small scale, but the fact that was able to do so raises concerns about what is next. There is only so far citizen journalists can go though.

However if increasing numbers of people are able to generate this content cheaply and people are able to access it for free, what is the future for the linear news article or straight news report. Is there still a demand for the news in this format?

G20 Arrest

Speaking on Media Talk this week Janine Gibson, editor of guardian.co.uk, described the use of Twitter and Google Mapping as: ”The best way of telling the story.. it’s an an incredibly useful way to show the users what is happening in different pockets of London. Twitter has a very simple function, which becomes perfect for saying - What can you see? What are you doing? It becomes really useful because what your representing is all the strands of the story.

“Even with broadcast cameras on a story like that, you only see one linear thing at a time. This was not a linear narrative story, you’ve got pockets of different temperatures you need to take, lots of different narratives to bring together and there is something something fantastic about being able to see all those strands simultaneously and work your way through which represents what it is.”

If nothing else, last week demonstates that social media and Web 2.0 are the future for reporting, however despite Robin Hamman discussing here the new technologies and opportunities for covering events like the G20 protests, if more and more people take up these tools, what can be said for the future of journalists and the news organisations they work for?





Popular free music site Spotify hits 1 million users

2 03 2009

spotify_logo1

The popular streaming music service Spotify has hit the one million user mark, it was announced today.

For those who are unfamiliar with this new innovation to the technological world, Spotifyallows users to listen to a wide range of tracks from major record labels such as Sony BMG, EMI and Warner for free.  

The only downside to this fantastic new service is that users can expect to hear an advert broadcast every so often. It’s only usually played after 30 minutes of continuous listening, so is not really a massive inconvenience. It this which provides the revenue needed to pay labels, although there are ad-free accounts available for a monthly or daily fee.

The one-millionth-user was registered at 19.50 GMT yesterday. The boost in users comes off the back of the decision to abandon the initial invite-only period in favour of a freely accessible sign up option.

A statement posted by Andres on on the Spotify blog read: “Late last night we passed a big milestone in our history, at 19.50 GMT we registered our one millionth Spotify user!

“Our user growth has been amazing since we launched back in October, in particular the past few weeks have been phenomenal and growth continues to pick up speed.

“We can only thank our users who have been great at spreading the word for us and we look forward to our next big milestone.”

The Stockholm-based company, whose founders include Martin Lorentzon, previously co-founder of TradeDoubler, and Spotify chief executive Daniel Ek, opened for business in the UK, Germany, France, Italy, Spain, Finland, Norway and Sweden, on October 7 last year.

Spotify UK sales director, Jon Mitchell said: “More innovative and curious advertisers were quick to explore how we could help them reach our rapidly growing user base.

“The UK press interest in Spotify over the past few weeks has definitely contributed to increased demand for our advertiser team.”

U2 album No Line on the Horizon was made available on Spotify a week before release (Picture guardian.co.uk)

U2 album No Line on the Horizon was made available on Spotify a week before release (Picture guardian.co.uk)

However some concerns have been raised over what impact the growth of Spotifywill have on the music industry long term. While the days of using iTunes may be fading away, as Chris Jefferies warned last month, this new way of listening to music could severely damage sales. 

Chris said in his blog post, ‘Spotify the difference’: “Yesterday, I listened to the new Morrissey album, Years of Refusal. Hot off the press, came out that day. I listened to the whole thing without any loading time and although it’s quite good I probably won’t buy it.”

Whilst record companies may argue that the Spotify model may help to reduce piracy it seems that if more and more people use the service like Chris music lovers may no longer feel the need to buy music. However that seems like a long way off. Spotify does not allow listeners to keep any of the tracks they listen to. Despite this, the ability for users to ‘try before they buy’ may prevent people from purchasing albums on interest, already listened to the track online. As a result album buying may therefore become far more selective with purchases being dictated solely by fans who  love the music or artist rather than an impulse purchase.

I am not criticising the Spotify model though. I will freely admit to being an avid user. However with the music industry becoming increasingly reliant on events like the Brit Awards to boost flagging sales Spotify’s growth may prove to be popular with music fans but a headache for artists and the record labels behind them in the future.

 Spotify has not yet been given the go-ahead for non-European markets, and the ad-funded service is only available in the UK, France, Spain Sweden Norway and Finland – with some nations still requiring an invite to get an account.

Spotify has not yet been given the go-ahead for non-European markets, and the ad-funded service is only available in the UK, France, Spain Sweden Norway and Finland – with some nations still requiring an invite to get an account. Last week, the site offered users exclusive access to hear U2’s new album a week before release.





Slumdog Millionaire – Review

15 02 2009
Slumdog Millionaire stars Dev Patel Anil Kapoor

Slumdog Millionaire stars Dev Patel and Anil Kapoor

 I approached my viewing of Slumdog Millionaire, somewhat hesitantly. From my experience films with a lot of hype surrounding them rarely deliver and end being somewhat of a disappointment. However, Danny Boyle’s latest is one of those films which not only lives up to the hype but is the sort of the film anybody can relate to. It really is the feel good film of the year.

Through mixing a rags-to-riches story with an unconventional love story Danny Boyle takes us from the slums of India to the studios of “Who Wants To Be A Millionaire” as the films protagonist Jamal (Dev “Skins” Patel) attempts to win the coveted prize in order to reunite with lost love Latika (Freida Pinto).

However the film is far from being a simple fairy tale. It is a hugely entertaining piece of cinema, which pulls on all aspects of your emotions as we follow Jemal and friends through a series of horrific episodes, as they grow up parentless, homeless and without any real direction in life.  

Dev Patel shines through in his first role since Skins, convincingly portraying the role as the everyman Muslim hero, who rises above the brutal dynamics of modern-day Mumbai to achieve hero status for his battle against the corrupt world he finds himself in.

Slumdog’s true triumphant though, is through the heart and sentiment of its subject matter, as well as it’s vibrant and colourful setting. With Slumdog, Boyle has not just created a film with an engaging story and with a powerful message behind it, but opened the Western audiences eyes to a provocative and vibrant world. Mumbai may have its problems but it prides itself on its sense of community.





The Year of the Tweet

3 02 2009

It would seem a Twitter revolution is happening.

With the Chinese New Year being celebrated across London on Sunday it would seem we should be celebrating the year of the ‘tweet’ rather than the year of the Ox.

Initially sceptical to the social networking site, I have to confess that I have become increasingly addicted in the past few months.

Jonathan Ross

Regular Twitter user Jonathan Ross

As an aspiring journalist, I understand the importance of breaking news and communicating on the web. Never before has it been so important. Whether you love it or hate it – twitter offers those possibilities.

It was therefore incredibly eye-opening to listen to Robin Hamman lecture last week at City University, on the uses of social media not only in researching stories but in developing contacts and unearthing the latest news.

However, concerns of privacy and accuracy are still very topically. In a world now where everything is online we are open to new dangers, but as Robin Hamman described, we control our online profile, through our tweets, blogs and Flickr accounts. Whilst these dangers are around us, the opportunities for improved communication are endless. My biggest concern is that Twitter becomes so exposed that its purpose and current benefits will disappear.

I raise this becuase in recent weeks the media seem to have also fallen in love with Twitter with the likes of  Jonathan Ross and Stephen Fry discussing the site on Friday Night with Jonathon Ross and Phillip Scofield actively tweeting on This Morning

Twitter seems to making the news everyday with the most popular users being named today and Demi Moore failing to understand the power of the site this looks set to continue.

Only time will tell what the future holds but for the time being I urge fellow journalists to embrace the revolution and use the site as a fundamental component to reaching out to a greater part of society.

Update 4/02/08

Chris Moyles and Andi Peters now on Twitter it’s dominating Radio 1 this morning.





Christmas Day Review

27 12 2008

wallace-and-gromit1

 

Christmas Day TV usually fails to deliver, so the return of Wallace and Gromit yesterday  was a well received treat. Thirteen years since their last TV adventure in A Close Shave, Wallace and Gromit: A Matter of Loaf and Death delivered on all levels, making it the most watched programme of the day with 14.25m viewers and a peak of 15.88m. 

The 29 minute short mock murder mystery following the famous duo as they set up a new bakery business, was full of in-jokes and references to previous adventures to satisfy long term fans, with Gromit’s classic facial expressions at Wallace’s incompetence and stupidity stealing the limelight.

Whilst the plot followed the usual Wallace and Gromit formula, the laughs came thick and fast providing a much needed break from the now controversial Strictly Come Dancing and the Christmas Special plagued by another voting crisis following the well publicised  semi-final debacle.

The problem with Strictly’s seasonal outing, was whilst it was good Christmas viewing, it felt somewhat flat with Jill Halfpenny scooping the top prize unexpectedly. The show was however more enjoyable  than viewing rival Dancing on Ice which lacked any substance, clearly drafted in as a reaction to the very popular Strictly on the other side. 

Doctor Who provided the same old classic Christmas entertainment with the formidable Cyberman returning alongside ‘other’ Doctor David Morrissey, the soaps served up their usual misery and the annual Top of the Pops revival added to the days festive line up. 

Overall however with some fantastic films, the day more than made up for the dull Christmas Midsommer Murders and incredibly much publicised and disappointingly un-funny Gavin and Stacey on Christmas Eve.





Hippie Hippie Shake – Review

25 11 2008

I was lucky enough to attend a preview screening of the new Beeban Kidron film last Thursday, set to be released later this year called Hippie Hippie Shake.

The upcoming British film, from the Bridget Jones 2 director, follows the love story of Oz magazine editor Richard Neville and Louise Ferrier as Neville and his associates launch the London edition of satirical magazine Oz, the radical magazine that put them on trial for publishing sexually explicit content.

Set in 1960’s London, Hippie Hippie Shake, which has been in development since 1998, is a fascinating portrayal of the memoirs of Richard Neville.

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Starring Cillian Murphy and Sienna Miller the film captures the time period effectively presenting both drama, sex and drugs against a setting of media scrutiny and restrictions. Oz sets out to do something different, to redefine the form and produce a radical magazine which will change the way people think. Appealing to the neglected youth and engaging them with the issues that matter to them. However as time progresses these intentions become blurred and the true agenda of the magazine questionable.

While the film is not going to appeal to the mass market, the story, which before seeing the film I was unaware of, is of particularly interest to those interested in journalism.

Not only does the film address issues of writing and publishing, as well as the hard graft of being a journalist, the later half of the film focuses heavily on censorship, morality and ethics. The court case scenes raise a number of issues which I have reguarly come across as a trainee journalist.

Without spoiling the plot, Neville and co find themselves in court facing charges of indecency, particularly involving one case with Rupert the Bear. The trial of obscenity raised questions over government censorship and freedom of the press. The arguments presented from both sides equally stand but the conflict lies in a misunderstanding of the magazines intentions, the smut which is at face value has hidden meaning. However I won’t enter into details. See the movie.

Colourful, funny and dramatic this is not only a good film it is educational too. A good document of history that many journalists and non journalists will enjoy. Also look out for Germaine Greer.